Former Teacher and Father Build $428,000 3D-Printed Fidget Toy Business

For thousands of Americans seeking a moment of focus in a distracting world, the solution is a technicolor piece of plastic that emits a satisfying, mechanical "click." Behind these viral devices are Victoria Baumann and her father, Charlie Moreton, the founders of Victoria Essie Studio.

Operating out of their homes in North Carolina, the father-daughter duo has transformed a side hustle into a thriving e-commerce business. Baumann, 32, originally launched the studio in 2018 to sell watercolor paintings and polymer clay jewelry while working as a full-time teacher. After experiencing severe burnout, she left the education field in 2019, working odd jobs before committing to her creative enterprise full-time in 2022.[1]

The company's trajectory shifted dramatically in 2025 when Moreton, a 51-year-old network security engineer and 3D printing hobbyist, discovered a design for a cake-shaped fidget clicker. Recognizing that the design perfectly aligned with his daughter's cute, colorful, and Y2K-nostalgic artistic style, he officially joined the business. Together, they began manufacturing 3D-printed tactile toys, tapping into a massive and growing consumer desire for sensory regulation tools. What began as a modest two-printer operation quickly scaled as their unique aesthetic resonated with online audiences.[1]

The financial results of their pivot have been staggering. In 2025, Victoria Essie Studio generated $428,000 in revenue, entirely bootstrapped without a single business loan. To ensure the company's financial health during its rapid growth phase, Moreton opted out of taking a salary during his first year, treating his labor as sweat equity.

By 2026, the business had stabilized enough for him to begin drawing a salary of $750 per week, compensating him for the estimated 40 additional hours he dedicates to the studio on top of his full-time engineering career.[1]

The secret to their viral success lies in the specific mechanics of their products. Unlike the silent silicone poppers or the free-spinning metal toys of the previous decade, Victoria Essie Studio's clickers incorporate the exact mechanical switches found in high-end computer keyboards.

This design choice provides a highly specific tactile resistance and a crisp auditory snap that users find deeply satisfying. By marketing these devices through ASMR-style, behind-the-scenes videos on social media, the duo captured the attention of millions of viewers, eventually earning the public adoration of prominent content creators like Brittany Broski.[1]

Beyond their viral appeal, these devices serve a legitimate therapeutic function. Health experts and occupational therapists increasingly recognize fidget clickers as valuable tools for emotional regulation and concentration. They are particularly beneficial for individuals navigating anxiety, Attention Deficit Hyperactivity Disorder (ADHD), or Autism Spectrum Disorders (ASD). By keeping the hands occupied with a repetitive, predictable sensory input, users can often anchor their attention more effectively during meetings, classes, or stressful situations. The studio's products are now frequently utilized in therapy offices and classrooms across the country.[1][3]

The rapid ascent of Victoria Essie Studio reflects broader macroeconomic trends within the sensory toy industry. According to data from Fortune Business Insights, the global fidget toys market reached a valuation of over $9 billion in 2025, with projections indicating sustained growth throughout the next decade. This represents a significant evolution from the brief, intense fad of the 2017 fidget spinner craze. Today's market is characterized by a demand for aesthetically pleasing, highly durable tools that appeal as much to stressed corporate professionals as they do to school-aged children.[1][2]

As production volume increased, Baumann and Moreton also had to address the environmental footprint of their manufacturing process. The studio exclusively utilizes Polylactic Acid (PLA), a biodegradable bioplastic derived from renewable resources such as corn starch and sugarcane. To minimize waste, the founders repurpose scrap material for test prints and prototypes, sending any unusable leftover plastic to specialized local recycling facilities that process bioplastics. This commitment to sustainability has helped insulate the brand from criticisms often leveled at manufacturers of inexpensive plastic novelties.[3]

The studio's product catalog has expanded significantly beyond the initial cake-shaped clickers. Today, their online storefront features dozens of designs, ranging from miniature cereal bowls and cinnamon buns to retro gaming motifs and crystal-shaped keychains. While some designs are licensed from independent 3D artists through Patreon, many are exclusive, in-house creations labeled under the VES brand. This hybrid approach to product development allows the studio to maintain a rapid release schedule, keeping their highly engaged customer base returning for new drops and limited-edition colorways.[3][4]

Looking ahead, the father-daughter team is focused on expanding their manufacturing capacity while maintaining the handmade, independent charm that fueled their initial rise. Their journey from a burnt-out teacher's side project to a half-million-dollar enterprise underscores the viability of the modern creator economy. It proves that niche hobbies—when paired with sharp aesthetic branding, community engagement, and disciplined financial management—can scale into formidable, highly profitable businesses that genuinely improve their customers' daily lives.[1]